Cello Circles ~ Improvised, contemporary chamber music |
||||||||||||
tracks: A Wave that Holds Leaving Space Circles in the Sky Four Winds Dancing Fields This Moment Friendliness Spring Water
total time: 1 hr 3 min |
||||||||||||
Kalyan's playful approach to the cello merges with eight compositions that celebrate the music and sound of one of the most loved instruments of the classical orchestra. With tones of depth and beauty and of joyous spontaneity, the cello is the emperor of musical instruments. | ||||||||||||
Listen to a sample
Download this sample for your iPod here (right mouse click) It's free.
Download this sample for your iPod here (right mouse click) It's free. |
||||||||||||
Deva Premal likes Cello Circles | ||||||||||||
Pandora | ||||||||||||
You can order "Cello Circles" from me or from Kalyan (North America) |
||||||||||||
"An orchestral and sonic triumph of sound…you give us so many voices to listen to and as a cellist I would have to say that Kalyan is a first rate modern jazz and world music cellist…" David Darling |
||||||||||||
Sambodhi Prem | ||||||||||||
contact Kalyan tel: 1 450 224-8131 (Canada) |
||||||||||||
CC on Facebook Cello Circles download
liner notes (784k, pdf)
|
||||||||||||
Cello Circles ~ Kalyan & Sambodhi Prem Recorded between 2001 and 2008 Cello Circles has taken its own time to come to a point of completion. Started as a fun project between friends living on opposite sides of the globe, this CD grew organically into a richly orchestrated ode to the many colours and nuances of the cello. Sambodhi Prem has been a recording artist with releases dating back to the mid-eighties, mostly guitar-based instrumental music and introspective titles for relaxation. The Indian dilruba is heard on two pieces, plucked on the intro of ‘Leaving Space’ and bowed on the last piece ‘Spring Water’, the Japanese kyotaku flute can be heard on ‘This Moment’. And there are the more familiar sounds of the fretless bass and the recorder, all played by Kalyan. By no means is this an album of world-music mishmashes, the tone is focussed on the cello but there’s enough breathing space for many other sounds to have a place. Most pieces are ‘down-tempo’, but with a constantly changing landscape of sounds. The compositions were written by both players – Sambodhi did most of the production and the recording of the backing tracks. You can hear that lots of thought went into the compositions, as the music is never repetitive and it holds your interest even after repeat listenings |
||||||||||||
Sandipa on
|
||||||||||||
|
||||||||||||